The church bells of our three churches are rung regularly for Sunday services, weddings and other special occasions. Experienced bell ringers and newcomers to the art are very welcome.

How can I find out more? – Visit your local tower when you hear the bells being rung or contact the following for more information:

Thank you Terry for all your 40 years of service to St Firmin’s Church and the parish of Thurlby.

This morning our service was one of thanks to Terry Maddision’s for his  40 years as a bell ringer in our church, for many of those years he has also been the Bell Captain, ringing, organising, teaching and looking after our bells.

The bells are such an important part of our church – we really missed their ringing over covid and it’s lovely to have them ringing again now.

Terry has also been very active in the Southern Branch of the Lincoln Diocesan Guild of Church Bell Ringers, and was made an Honorary Member of the L.D.G.C.B.R in recognition of his work.

Terry can be seen ringing for the last time as Bell Captain (centre) alongside him is Roger Osborn (front) who has also rung for, he thinks, well over 50 years, so many thanks to Roger too, and to all those bellringers who come from other villages to ensure our bells are rung each week.

We would also like to thank Andy Hallam who has agreed to take over as Bell Captain at Thurlby.

St Firmins Church, Thurlby

Tower Captain : Andy Hallam Tel: 01778 341807 or 07788 975996

St Michael and All Angels Church, Langtoft

Tower captain: Mrs Carol Butler Tel: 01778 347617

St John the Baptist Church , Baston

Tower Captain: Mrs Joyce Langley Tel:01778 560900.

There are more than 40,000 bell ringers in the UK They are :-

YOUNG AND OLD

MEN AND WOMEN

SHORT AND TALL

GIRLS AND BOYS

NON-MUSICAL AND MUSICAL

CHURCH GOERS AND NON CHURCHGOERS.

They come from all walks of life, but they are sharing a fascinating hobby and a commitment to their team

ARE YOU INTERESTED ? THEN READ ON

History

Change ringing evolved in England in the early part of the 17^th century and it is quite remarkable that if a ringer from that era came into one of our towers today he would still recognise many of the methods that we ring. It is a system based on numbers rather than notes. Most of the bells hung for change ringing are in the UK though change ringing is actively   practised in the USA, Australia, New Zealand and South Africa

Change Ringing

Bells are tuned to a normal (diatonic) scale and it is usual to start with ringing down the scale, a sequence which ringers call ’rounds’. The order in which the bells sound is then altered to give difference sequences, called ‘changes’. This is done to a pre-set pattern or ‘method’ and each ringer must learn that ‘method’ in order to know when his or her particular bell must sound. There are a few standard methods that are rung in most towers and this makes it very easy for ringers to visit and ring with other bands.

How long does it take to learn  

Initial teaching takes place on a one to one basis and most learners will be ready to ring with a band in a few weeks. There is always something new to learn and ringers progress at their own pace, depending on the time and effort devoted to increasing knowledge. The skill lies in being able to control a bell that rotates full circle using a rope attached to the wheel.  When are bells rung? – For church services — For weddings — For special occasions — For our own   pleasure.

What’s in it for me? –

A hobby which involves: – being part of a team -providing a service for the church – a good social life ~ continually  learning something new. Bell ringing is good fun! Once you have learned the basic technique you will always be made welcome when you visit other towers. There are more than 5,000 church towers with bells suitable for Change Ringing.

Some great information sent to us by James Jackson

Metal Casting: All About Bell Founding

November 12, 2023 Peter Morrell

Bell founding is a centuries-old craft that combines art and engineering to create objects that are both beautiful and functional. From the deep chimes of a cathedral bell to the clear, ringing notes of a school bell, each has a unique sound and purpose. At its core, bell founding is a specialized form of metal casting that requires skill, precision, and an understanding of acoustics. Whether you’re interested in metalworking or simply fascinated by the process behind creating these resonant instruments, bell founding offers a captivating glimpse into a time-honored tradition.

History

Bell founding is among the oldest forms of metal casting, with origins tracing back several millennia. Bells first appeared in ancient civilizations across Asia, notably in China, where cast bronze bells were used as early as 2000 B.C.E. These early bells held significant ceremonial and spiritual value and were believed to connect the earthly and divine. In Southeast Asia and the Indian subcontinent, bells were used in temples and religious rituals, symbolizing purity and harmony. Meanwhile, in ancient Europe, smaller, hammered-metal bells were used as simple signaling devices. As casting methods improved, these small bells gave way to larger, more complex forms, and their use expanded. By the medieval period, bell founding became highly specialized across Europe, with each region developing distinct casting methods, shapes, and alloys that reflected local needs and resources. In places like England, France, and the Netherlands, skilled artisans refined the craft, focusing on clarity of tone, size, and durability. These early foundations laid the groundwork for bell founding to become a respected art form, with many traditional techniques preserved and passed down through generations.

Development

As centuries passed, bell founding underwent major transformations that pushed the craft into new territory. Early bells were basic, often crafted by hammering thin sheets of metal, but advances in metallurgy revolutionized the process of making bells. Bronze, an alloy of copper and tin, became the material of choice because of its resilience and the rich, sonorous tone it could produce when cast. During the Renaissance, bell founders developed sophisticated casting techniques that allowed them to control a bell’s shape, thickness, and curvature more precisely, all of which directly affected sound quality. Bell founders could now create larger, clearer bells suited for public spaces, from town squares to church towers.

Around this time, bell founders also began honing their approach to bell tuning. By adjusting the thickness and profile of the bell, they could refine each tone, allowing for precise pitch control and harmonious overtones. The invention of specialized tools for tuning and cutting marked a shift from trial and error to a science-informed approach. And by the 19th century, industrialization further transformed the field, introducing standardized molds, improved alloys, and even mechanized equipment. Although bell founding remains an artisanal craft in many ways, these developments allowed for greater consistency and more widespread use of bells worldwide, from church bells to smaller bells used in public buildings and schools.

Materials

The primary material used in bell founding is bell bronze, an alloy typically made from 78% copper and 22% tin. This specific blend is ideal because it’s durable and produces a rich, resonant sound. While some modern bells are cast from iron or even steel, bronze remains the preferred choice for high-quality bells. The process of creating a bell also requires a few other materials, including wax, used to embed patterns and designs into the mold, and a mixture of clay, sand, and horsehair used to make the mold itself. These three materials in combination have the stability needed to withstand the intense heat of molten metal without distorting.

Casting Process

Bell casting is a precise, multi-step process that requires skill, patience, and an eye for detail. The process begins with creating a detailed mold for the bell. This typically involves three main parts: an inner core, a “false bell” layer, and an outer mold shell. First, the inner core is shaped to form the inside of the bell. Next, a temporary “false bell” layer is applied over the core. This false bell is made from wax or clay and represents the exact thickness and shape of the final bell. It’s sculpted with care, as any imperfections will affect the final sound. Designs, inscriptions, or decorative elements can be added to this layer if desired. Once the false bell is shaped, it’s covered with more material to form the outer mold shell.

When the mold is complete, the false bell layer is melted or otherwise removed, leaving a hollow space between the core and outer shell that matches the shape and thickness of the bell. Molten bronze, heated to a precise temperature, is then carefully poured into this space. The bronze fills the cavity, taking on the bell’s form. After the metal cools and solidifies, the outer mold and core are carefully broken away, revealing a rough bell. The bell may then require smoothing, detailing, and other refinements before it is ready for tuning.

Tuning

Tuning is a crucial part of bell founding that brings the bell to life. After casting, bell founders adjust the bell’s tone by carefully shaving off small amounts of metal from specific areas inside the bell. This process is highly technical, as even a slight change in thickness can alter the bell’s sound. Founders use tools and machines to tune the bell to an exact pitch, ensuring that it produces a clear, harmonic tone. Bells are typically tuned to resonate at a main pitch with overtones that blend harmoniously. A finely tuned bell will produce a rich, layered sound that rings true and carries beautifully through the air.

Fitting the Clapper

The final step in the bell founding process is fitting the clapper, the part that strikes the bell to produce sound. The clapper must be carefully sized and positioned, as it has a major impact on the bell’s tone and volume. A clapper that’s too heavy can overpower the bell, creating a harsh sound, while one that’s too light might not bring out the bell’s full resonance. Bell founders often test and adjust the clapper to ensure that it strikes at just the right point, allowing the bell to sound clear and balanced when it rings. Once this step is complete, the bell is ready for use.

• Inside the Ringing History of Bells
• Ancient Chinese Bells
• History and Use of the Ship’s Bell
• Collection of Bronze Age Bells Tells a Story of Ancient Innovation
• The Liberty Bell
• History of Bells in Europe
• How Big Bells Are Made
• The History of the School Bell
• A Short History of Bells
• How Bells Are Made